Ho Ho Holy Shit! Prayer Circle Comedy returns for the holidays at ColdTowne Theater

Austin, TX: The award-winning, irreverent, and occasionally sacrilegious comedy team Prayer Circle is back with a new sketch show just in time for the winter holy days. 

All attendees WILL be wished a Merry Christmas! Join Prayer Circle every Saturday this December for a holiday extravaganza that will leave you saying Ho Ho Holy Shit! It’s the perfect religious treason for the season. For unto you sketch comedy is born. Rated PG-17. 

Ho Ho Holy Shit runs for four Saturdays November 30th to December 20th at 7:00pm at ColdTowne Theater.  Tickets are $10 online and $12 at the door. For more information, contact coldtowne@coldtownetheater.com, call (512) 814-8696, or visit www.coldtownetheater.com.  ColdTowne is BYOB/sacramental wine. 

Tickets & Links

ColdTowneTheater.com

https://www.eventbrite.com/e/prayer-circle-comedy-ho-ho-holy-shit-tickets-79253917601 

bit.ly/hohoholyshit

facebook.com/PrayerCircleComedy

Instagram @PrayerCircleComedy

About ColdTowne Theater

ColdTowne Theater is Austin’s main stage for alternative comedy. Running shows 7 nights a week and featuring the smartest, brightest, and hardest-working comedians in Central Texas. For phone reservations or more information, call (512) 817-TOWN, or visit www.ColdTowneTheater.com

PRESS CONTACT:
Lilli Lopez, Marketing Director
ColdTowne Theater
lillianallopez@gmail.com
956-683-5067

Way Down In the Hole opens Saturday, Aug. 17

WAY DOWN IN THE HOLE Saturdays (8:30-9:30 p.m.) August 17 + 24, September 7-28, 2019 

Step back into 2012 with new improvised comedy show “Way Down in the Hole” 

Austin, Texas – July 19, 2019 – Dylan Garsee and Mase Kerwick are thrilled to announce their latest collaboration – a subversive, darkly comic improvised show called “Way Down in the Hole” – debuts at ColdTowne Theater Saturday, August 17. 

In “Way Down in the Hole,” an otherwise ordinary night at local gay bar The Hole becomes hysterically chaotic when someone is found dead on the dance floor. Set over the course of a single evening in 2012, audiences will watch as some of Austin’s best comedians improvise the complicated web between bar owners, patrons, detectives, drug dealers, and the murder victim. But will the murder ever get solved as people keep getting distracted by The Hole’s legendary dance floor? 

Created and directed by Garsee (in their directorial debut), the hour-long show is inspired by classic TV series “The Wire” and “Cheers”, as well as the federal raids of certain Austin bars in 2012. 

“Way Down in the Hole” is produced by Kerwick, a native Austinite known for the popular live variety show “QueerTowne” and for being a founding member of LGBTQ sketch troupe Martini Ranch. Garsee performs monthly with boundary-pushing sketch troupe Pendulum and is still bitter about not getting to perform their indie nightmare comedy Gayme Show at the cancelled 2017 Sound On Sound Fest. 

Garsee and Kerwick previously collaborated on all three runs of Martini Ranch’s sold out sketch revues, as well as the improvised drag extravaganza “Hail to the Queen” and the comedic fever dream “This is the Zodiac Speaking!”. They’ve performed together at San Francisco SketchFest and Dallas Comedy Fest, as well as local festivals Austin Sketch Fest and Out of Bounds. 

“Way Down in the Hole” features Dalton Allen, Brian Bonnet, Devon Coleman, Kristie Denlinger, Kelty Dorsey, Mase Kerwick, Nicole Russell, and Jake Garrison as drag queen YesAndra LaRonde. 

Original art was created by Steven Smith. Technical Direction is provided by Ilan Raschkovsky. 

The core cast is comprised largely of queer and trans performers who will pull from their own experiences at places like TuezGayz at Barbarella, Chain Drive, the original Cheer Up Charlies, and others. 

“Way Down in the Hole” will run at ColdTowne Theater for six Saturdays at 8:30 p.m. – August 17 and 24, and September 7 through 28. Each performance will take place on a different themed night at The Hole: bachelorette night, lesbian night, straight night, bear night, and more. 

The original production is rated ‘G’ for Gay and is recommended for mature audiences. 

Questions? Contact masonkerwick@gmail.com

RSVP on Facebook: https://www.facebook.com/events/344795419746926

Tickets ColdTowne Theater is located at 4803-B Airport Boulevard, Austin, TX 78751. Tickets are $10 and can be purchased at www.coldtownetheater.com or at the door. 

About ColdTowne Theater ColdTowne Theater is Austin’s center for Chicago-style, long-form improv, with shows every night of the week. For phone reservations or more information, call (512) 817-TOWN, or visit www.ColdTowneTheater.com 

 

BIGFOOT, THE MUSICAL OPENS MAY 25

From the minds of Amber Ruffin (Late Night with Seth Meyers), David Schmoll (Boom Chicago) and Kevin Scieretta (The SecondCity) comes the Austin premiere of BIGFOOT, THE MUSICAL. Produced by ColdTowne Theater and Austin SketchFest, this exclusive six performance run is only the second production of this musical comedy that premiered at the Majestic Repertory Theatre, in Las Vegas in 2018.

It will be directed by ColdTowne Theater’s Executive Producer Dave Buckman (The Second City, Boom Chicago) and ColdTowne Theater’s Artistic Director Will Cleveland (UCB New York). Musical Direction will be provided by Ammon Taylor (The Paramount Theater).

The musical comedy offers the origination story of America’s most famous mythological creature. You’ve heard the myth and legend…but do you know the man? In the perpetually economically depressed town of Mud Dirt, the perpetually ill Francine is the mother of an eight-year-old boy who has the body of a fully grown adult. Due to a glandular problem brought on by radioactive waste buried nearby, the boy continues to grow larger and larger through the years and is covered by hair. As the town’s mayor drives Mud Dirt into bankruptcy with his alcoholism and gambling, he uses the overgrown Bigfoot as a scapegoat and turns the citizens into an angry mob that pursues the youngster into the woods…and into infamy.

“I wrote Bigfoot because I wanted to have a good time,” said Ruffin. “I wondered if I could write a musical where every song was a party, and I think I did. Bigfoot is a musical about never losing hope even when things are terrible, even when you’re all out of money and friends, and everyone hates your guts. It’s a good time musical about hope.”

Amber Ruffin has written for Late Night with Seth Meyers since 2014, becoming the first African American woman to write for a late-night network talk show in the U.S. In addition to writing for Late Night, Ruffin also appears on the program, and her segments “Amber Says What” and “Jokes Seth Can’t Tell,” are both wildly popular. She will also be handling the 10th Annual Austin SketchFest performing a one woman show and will be in attendance on opening night!

BIGFOOT, THE MUSICAL
PERFORMANCE SCHEDULE
May 25 – June 29, 2018
Saturdays at 8:30 p.m.

TICKETS AVAILABLE ON EVENTBRITE
Tickets to Bigfoot at Austin Sketch Fest
Tickets to Bigfoot mainstage at ColdTowne

A NOTE FROM WRITER DAVID SCHMOLL

Amber and I worked together at Boom Chicago in Amsterdam, and shortly after she left Boom, she emailed me and asked if I could help her put some songs together for a show she was working on (King Of Kong: A Musical Parody). Because she was in LA and I was still in Amsterdam, and there was a 9-hour time difference between two people who were already pretty busy, we ended up doing it all by email. During the course of developing those songs, we sort of fell into the system of writing that we’ve used for everything we’ve worked on going forward, including Bigfoot:

She sends me a video of her talking about the song idea, and what style of music she has in mind. Then she sings the lyrics acapella. I watch the video and transcribe, as best I can, the melodies I hear into Logic, and from there I figure out what key the song should be in, and what chords should accompany the melody. Then I send her a rough draft of (usually) just piano, bass and drums, so she can check to see if I got the melody right, and if the chords I chose feel right to her.

After that, there’s usually a bit of back and forth to get the melody and chords locked down. Then I start arranging and orchestrating the song. I send her a rough cut, she sends me some notes, I refine the arrangement based on her feedback, send it back, and so on, until we have a complete song.

A big part of the reason why we work well together is because there’s a huge amount of mutual respect; each of us looks at what the other does as something completely impossible that surely must involve some type of sorcery. Our creative strengths and skill sets fit together quite nicely. Musically speaking, Amber’s the brain and I’m the brawn. She always has the initial idea – and often, by the time she makes that first video, she can already hear the finished song in her head. My job is to figure out what she’s hearing, and make that into something tangible that everyone else can hear, too. During that process when the song is developing is where the magic happens; we inspire each other and bring out the best in each other. Also, we’re both a little crazy, so that helps.