Way Down In the Hole opens Saturday, Aug. 17

WAY DOWN IN THE HOLE Saturdays (8:30-9:30 p.m.) August 17 + 24, September 7-28, 2019 

Step back into 2012 with new improvised comedy show “Way Down in the Hole” 

Austin, Texas – July 19, 2019 – Dylan Garsee and Mase Kerwick are thrilled to announce their latest collaboration – a subversive, darkly comic improvised show called “Way Down in the Hole” – debuts at ColdTowne Theater Saturday, August 17. 

In “Way Down in the Hole,” an otherwise ordinary night at local gay bar The Hole becomes hysterically chaotic when someone is found dead on the dance floor. Set over the course of a single evening in 2012, audiences will watch as some of Austin’s best comedians improvise the complicated web between bar owners, patrons, detectives, drug dealers, and the murder victim. But will the murder ever get solved as people keep getting distracted by The Hole’s legendary dance floor? 

Created and directed by Garsee (in their directorial debut), the hour-long show is inspired by classic TV series “The Wire” and “Cheers”, as well as the federal raids of certain Austin bars in 2012. 

“Way Down in the Hole” is produced by Kerwick, a native Austinite known for the popular live variety show “QueerTowne” and for being a founding member of LGBTQ sketch troupe Martini Ranch. Garsee performs monthly with boundary-pushing sketch troupe Pendulum and is still bitter about not getting to perform their indie nightmare comedy Gayme Show at the cancelled 2017 Sound On Sound Fest. 

Garsee and Kerwick previously collaborated on all three runs of Martini Ranch’s sold out sketch revues, as well as the improvised drag extravaganza “Hail to the Queen” and the comedic fever dream “This is the Zodiac Speaking!”. They’ve performed together at San Francisco SketchFest and Dallas Comedy Fest, as well as local festivals Austin Sketch Fest and Out of Bounds. 

“Way Down in the Hole” features Dalton Allen, Brian Bonnet, Devon Coleman, Kristie Denlinger, Kelty Dorsey, Mase Kerwick, Nicole Russell, and Jake Garrison as drag queen YesAndra LaRonde. 

Original art was created by Steven Smith. Technical Direction is provided by Ilan Raschkovsky. 

The core cast is comprised largely of queer and trans performers who will pull from their own experiences at places like TuezGayz at Barbarella, Chain Drive, the original Cheer Up Charlies, and others. 

“Way Down in the Hole” will run at ColdTowne Theater for six Saturdays at 8:30 p.m. – August 17 and 24, and September 7 through 28. Each performance will take place on a different themed night at The Hole: bachelorette night, lesbian night, straight night, bear night, and more. 

The original production is rated ‘G’ for Gay and is recommended for mature audiences. 

Questions? Contact masonkerwick@gmail.com

RSVP on Facebook: https://www.facebook.com/events/344795419746926

Tickets ColdTowne Theater is located at 4803-B Airport Boulevard, Austin, TX 78751. Tickets are $10 and can be purchased at www.coldtownetheater.com or at the door. 

About ColdTowne Theater ColdTowne Theater is Austin’s center for Chicago-style, long-form improv, with shows every night of the week. For phone reservations or more information, call (512) 817-TOWN, or visit www.ColdTowneTheater.com 

 

Paranormal Disruption blends comedy and horror where it’s never been: the workplace.

Paranormal Disruption is a startup satire in a haunted reality. An upcoming web series written and starring Nikita Redkar, Paranormal Disruption is a comedic horror series set in a startup. It contains big funny characters in open floor plans and nap rooms with beer on tap. It addresses cult mentality, a lack of racial diversity, bait-and-switch job perks, and the chilling ease of your replaceability. Sound familiar? Thought so! It makes you wonder why there aren’t workplace horror shows.

Nikita Redkar (Moontower Comedy Festival, BettyFest) is currently crowdfunding for Paranormal Disruption, which features a cast of familiar Austin talent and an all POC crew behind the scenes. Nikita took a moment to tell us why we should all rush to hit the donate button.

Nikita: Like most comedians, I’ve kept up a string of jobs to keep me fed and sheltered while I pursue comedy. From healthcare to technology to even a shady law office, I’ve kept myself afloat in all sorts of day jobs. And I’ve noticed one common theme uniting all offices.

Remember in the early 2000s when Blink 182 was all like, “works sucks. I know.” That was true! And now, we’re in an era of following our passions and scoring our dream jobs (hey, I wouldn’t be here right now if I wasn’t doing exactly that!) But somehow, EVERYTHING has become a dream job. Offices have taken the message of “bE yOuRsElF” and dangled it in our faces in the form of an exciting work culture, only to have it be a lowkey trade for unquestioned allegiance. The number one culprit of this? STARTUPS.

How is this funny?! Oh it totally is. We haven’t seen enough of startup culture antics on TV. Silicon Valley got us started, but now it’s time to get more niche and call out the rapid spread of cool offices all over the world!

How is this scary? Well, I’m a big fan of horror. We’ll talk about this again in another paragraph.

The series weaves narrative structure with sketch comedy. As in, each episode contains 1-2 quick sketches introducing us to the absurdity and satire of startup culture.

But the overall episode pushes the plot forward. The series centers around Nikita, the main character, who begins working at a startup with a mysterious, insidious way of conducting business. The employees aren’t normal and seem to be operating on a weird agenda.

Horror is the most challenging genre. One wrong emotion from an actor, missed cue from a director, poor edit from an editor can ruin a perfect scare. That’s why I love the genre so much – it’s CALCULATED. Also, I love a good scary movie. Especially when I’m watching with someone I want to cuddle. If my series can give you that excuse, well I’ve done my part.

Paranormal Disruption’s core crew is made up entirely of people of color. I hadn’t set out to make a point of diversity, but everyone I’ve ever dreamed of working with turned out to be a person of color. And the best thing about us is we never have the same idea. Different backgrounds bring different perspectives, and if you want to relate to as many people as possible, you need as many perspectives as possible. That’s why I’m pushing diversity in film.

But I need your help! I want to make Paranormal Disruption as perfect as possible and that can’t happen without money. Why should you support me? Because I love when comedy has a good message. You know that feeling you get when you leave a comedy show feeling energized and smarter? Or even when you have a moment in your life where you feel a little less alone and a little more supported because you heard someone voice what you were thinking? That’s what I want to do with all my content, ever. I use comedy to learn about different perspectives and to learn about things I take for granted. It’s kept me on my toes, and I want to do the same for you.

In short, Paranormal Disruption is a startup satire in a haunted reality. It contains big funny characters in open floor plans and nap rooms with beer on tap. It also addresses cult mentality, a lack of racial diversity, bait-and-switch job perks, and the chilling ease of your replaceability. I hope you support or share our project. Mostly? I just hope you enjoy the shit out of it.

You can make a donation to Paranormal Disruption on Indiegogo: www.indiegogo.com/projects/paranormal-disruption

Follow the series on Instagram